Mark Tanner Sculpture Award Winner 2021/22
11 March to 22 April 2023
Opening Preview: 10 March, 6-8pm
Rosie Edwards: Nebula, 2022, expanding foam, plaster bandage, filler, gesso, acrylic paint, bamboo sticks, paper rope, polystyrene, Rayon twine. Photo: Tim Bowditch. All works copyright the artist.
Rosie Edwards: Drawing Hands, 2022, steel mesh, fiberglass, paper rope, plaster bandage, pigment, gesso, filler. Photo by Tim Bowditch. All works copyright the artist.
A solo exhibition of work by the winner of the
Mark Tanner Sculpture Award 2022 is coming to
Kendal this Spring.
‘Genetic Material’ presents a series of interrelated sculptures developed over the past year by Rosie Edwards (b.1981 Oxford, UK), the 19th recipient of the major UK Award.
Assembled playfully like children’s toys across Cross Lane Projects, Edwards’ brightly coloured sculptures emerge from a process of ‘physical thinking’ with found objects and re-purposed materials.
Prompted by an instinct to invert the logical, Edwards’ sculptures animate and denature the formal language of minimalism. Destabilising the rigid formality of the grid, whilst compounding qualities of hard and soft, sculpture and textile.
Geometric shapes are constructed from various lo-tech, homespun armatures: riveted steel fixing band; sprung steel gleaned from pop-up laundry baskets; and steel mesh tubing with crocheted nodes. They are squashed, folded and extruded before being fixed into shape with traditional sculpting materials. The
resulting structures become empathetic beings that retain the imprint of the body or the impact of an action. The tactility and resilience of these initially malleable structures portray a moment of transformation, as if capturing a substance changing state or a building in its first moment of collapse.
Other forms are created from the inside out: accumulations of balls stuffed inside found ‘skins’ inflated with expanding foam. These basic building methods result in forms suggestive of protein structures, molecules, or cells dividing. They scramble scale and, like molecular models, have the ability to speak of things that are simultaneously very small and very large.
Coloured twine coats the surface of several elements in an optic pattern, creating a sense of transformation occurring within. The optical surface pattern has a quiet but persistent pulse, the effect of which is slightly disturbing, alien, uncanny. Their whirring energy creates the sense there is something you have forgotten; it is not clear if their presence is malignant or benign.
Redundant domestic items including plate racks, coat hangers and laundry baskets can be found interspersed throughout the exhibition. Formed slightly off kilter they are imbued with a questionable stability, holding within them the collective anxiety of our time.
Through necessity of space in the artist’s studio, works are stacked on top of each other, moved around and constantly reconfigured. Objects at the bottom have little choice but to serve as plinths for the more transient upper layers. This constant scrambling of position allows the potential for unconscious discourse between elements. These objects, elusive beings of unclear status, eventually find their niche. Like fish in a coral reef, coupling occurs and things slowly acquire ‘settled status’.
The MTSA is one of the most significant awards for emerging UK artists working in the field of sculpture. It seeks to reward outstanding and innovative practice, with a particular interest in work that demonstrates a commitment to process, or sensitivity to material. Edwards was selected from over 240 applicants from
across the UK by a panel comprising: Eva Rothschild RA; Lewis Gilbert, associate curator at New Art Centre; Rebecca Scott, director at Cross Lane Projects and Mark Tanner Trust; and Dean Kenning, MTSA winner 2020-21.
Read accompanying text ‘Ossuary’ by Ilsa Colsell
Margaret Harrison. All works copyright the artist.
20 May to 24 June
Late and Soon: The Works of Margaret Harrison and Conrad Atkinson
Opening Friday 19 May 2023, 6-8pm
PayneShurvell and Cross Lane Projects are please to present Late and Soon: The Works of Margaret Harrison and Conrad Atkinson. The show will feature both historic and recently created works.
For more than 60 years, Margaret Harrison and Conrad Atkinson have been troublemakers. They are two of the most important political artists and activists working in the UK. Their controversial work has been banned, stolen and critcised but has always held in high esteem and championed by critics and the public alike. They met Carlisle College of Art, were married in 1966, and worked in studios in London, California, and for the last 30 years have worked from studios in Cumbria. They were together until Atkinson’s death last year.
For decades, Harrison and Atkinson have worked together sharing a studio and always exhibited independently of one another, but since her husband’s death, Harrison decided that for the first time they should be exhibited together in a joint show. This is a unique and exciting opportunity to see the two artists’ work, which while radically different, is united in an unflinching and often provocative approach to social and political themes.
Lee Maelzer. All works copyright the artist.
29 July to 23 September
Landscape of the Gods
Julian Cooper, Mark Fairnington, Alex Giles, Martin Greenland, Lee Maelzer, Bex Massey, Michael Petry, Alun Williams & Rebecca Scott
Opening Friday 28 July 2023, 6-9pm